erict

 

Eric Turner

Gene’s eyes were closed and his body raised and lowered in an unnatural, slanted way with each breath.  The machine that monitors his life signals beeped with every heart beat just like in the movies. The fluorescent hospital lights made his skin look even less healthy than it actually was. Michael sat on a chair beside the bed, his head propped up by his  by his folded hands. He just sat there thinking. What was going on in Gene’s mind right now? Was he dreaming? Did he know what happened to him? Michael thought about getting his attention but figured it would be better not to; Gene should get his rest because he’s going to need it if he’s going to recuperate after this.

Gene had been in a car wreck in an intersection, t-boned by a compact sedan, but the Jaws of Life came quickly. He was going to survive. He would survive and then come back to a big party with cake and ice cream, everyone hugging and smiling and Gene would just shrug it off. People have come back from much worse. Michael remembered when they were both 17 and Gene’s little sister got hit by a car when she was riding her bike. It seemed so impossible but she survived that. Gene would survive this.

Michael found the silence to be too uncomfortable. He decided he should try to say something, didn’t matter what.

“Hey Gene, you look pretty ugly right now. What are all the girls going to think, huh? I bet when you get out of this, they’re just going to be swarming all over you. You look like you could be a damn war hero. ”

Gene didn’t respond. He just moved up and down.

“Hey remember that time you put a tack on Mrs. Fanny’s seat back in poli-sci? She jumped up and down ooooh! It was a riot. She was pissed wasn’t she? Didn’t know who the hell it was who did it and you raised your hand and said ‘Mrs. Fanny, I think it was a communist ploy. Those reds are always causing trouble.’ I remember thinking, ‘this guy has the largest balls ever, you’d need a forklift to carry ‘em’ I think she would have believed it to if we hadn’t cracked up laughing.  It was too much”

Michael thought he saw a hint of a smile come up from Gene’s face so he continued.

“Yeah, those were good times Gene and there’s gonna be a lot more of them as soon as you get better. What kind of cake do you think you want? And don’t give me any of that funfetti shit, you’re a grown man.”

The heart monitor began to beep more sporadically getting faster, then slower, then it stopped. Just like in the movies. The worst fucking movies that Michael had ever seen.

 

 

Prompt: “You come home late at night, after a hard day.  The message light on the answering machine is blinking.  You press play and listen.  Choose one of the following messages as your starting point: You have the promotion, and the raise, but you will have to relocate to Nome,Alaska(orUlan Bator,Mongolia, or some other equally remote, inhospitable, and inaccessible place).” Hmm…I don’t think I really did this right.

“You have the promotion, and the raise, but you will have to relocate to our station at Mondulkiri in Cambodia. They’re going to send someone who will come in and help you with the transition this week. It’s been a long road. Congratulations, Carl.”

Awkward dead air followed briefly before a click, beep, and the automated voice of the machine informing that there are no more new messages. Nothing in the room could be heard aside from the slight sounds that the ceiling fan makes, spinning around and around. Carl didn’t move. He stared at the ground: linoleum tile cracked and chipped at the edge where the floor meets the wall, showing the naked wood underneath. He pulled a chair from the table and sat down, rubbed his forehead with his right hand.

It was what he wanted, to get away and find something new, tired of the same faces the same hello’s. What was left for him here in this shabby apartment? What was left for him in this city? He felt like leaving when Margaret split with him, ‘just friends’ she said but they haven’t talked in six months. He felt like leaving when Francis, his best friend left for Chicago to start his new marriage. He felt like leaving when he got drunk at a party in May and yelled at Dolores Fields for spilling her drink and everyone left ten minutes later because there wasn’t a reason for them to stay.

Cambodia would work. It would be different. The people would be simple. They would be kind in a way that they aren’t in the city. They would speak a different language; that would be trouble. No, then they wouldn’t know what he was saying, then he couldn’t trip over his tongue. Just smile for them, nod, and go with whatever happens. It is jungle, thick and mysterious. It seemed more real than here. But the malaria, that would be miserable, sleeping on a cot in a mosquito net, taking pills every day. No, it would be an experience. Every man should catch malaria at least once. How else could he say he lived if he didn’t?

Carl picked up the phone and dialed a number. After two rings, the other end picked up.

“Hello?” a voice said.

“Hello, Margaret.”

There was some silence on the other end, “What are you calling about?”

“I just thought you should know that I got promoted to a new position and that I’m being relocated to Mondulkiri.”

There was more silence then a short, forced laugh, “What? Where’s that?”

“It’s in Cambodia.”

“Oh, that’s great! That’s really, really great. Yeah, I think that will be good for you.”

“Yeah…Me too. I guess that’s all I really wanted to say. Good bye.”

“Good bye, Carl.”

Carl put the phone back on the receiver. That’s not all he really wanted to say but that’s all he could manage. He was shivering too much. It was good that he didn’t say any more anyways. He looked forward to Cambodia. He looked forward to it quite a lot.

Eric Turner

 

freewrite prompt; page 12

In this dream I was at a beach side boardwalk except the board walk was 150 feet above the see, on top of  a rocky cliffside with a rickety wooden staircase winding down. The ocean looked monstrous, the waves were enormous, out of proportion. The water was a strange turquoise, matching the sea foam green of a crayon, which is ironic that a color named after the sea should make the sea look so bizarre. I found myself at the bottom of the cliff and there was a ladder leading all the way up with a puddle of water underneath it. A man at the top of the cliff shouted at me to climb up and I was compelled to do so. It was frightening, beyond frightening. My hands were shaking as I climbed the ladder and what’s worse was that when I reached the middle of the cliff, there was no more ladder left. I had to climb back down and after hyperventilating a bit I could do it. I was at the top of the cliff now looking down. The ocean was moving into an enormous tsunami. It was remarkable, how the waves reached so high up but they didn’t push hard. They had the same gentleness as they usually do. I was mesmerized and unable to move away from the boardwalk.

A short time after I was in  a tower overlooking the whole beach view. A man down below waved at me then jumped off the cliff, diving into a small puddle, miraculously unscathed. But I could see through the trick. It was all a mess of perspective. Doppelgangers. A man jumped off the cliff unto a small ledge right below, another waiting at the bottom of the cliff simply jumped in from the ground. It was all an illusion, obviously. It was all a dream.

I remember back in my high school psychology class how we talked about dreams and interpretation. The scientific consensus seemed to say that there was no hidden meaning in the dreams themselves but that interpretation was worthwhile. It’s through finding the meaning that’s not there in the dream that a person is able to find the real meaning hidden within themselves. If I had to take a shot at interpreting my dream I’d say I had a lot to be anxious back then. The inertia of life was compelling me to do what I did not want to do. Nature had determined to put me on a path that I didn’t choose, but deep down, I know that this control is an illusion, that I can break free from the nausea.

Eric Turner

 

Pick a scene from your childhood and describe it in 3 paragraphs: one long shot, one middle shot, and one close-up.  Then, in another paragraph compare the results.  Which is more effective and why?

Swinging Party

            They are in a backyard in a New Jersey suburb. The sky is a bright blue, it made them come out. The white siding of the house shines as powerful as a floodlight and the usually brick color shillings look a pale tan. It’s a typical American family: mom dad, 2.5 children. The oldest kid swings a baseball bat against a T and the little one watches. The little one leans in then falls back. They all rush in like ants to a crumb and the screaming can be heard all around the neighborhood.

Little Eric likes baseball quite a lot so he watches his brother practice his swing. His brother isn’t a professional, in fact he looks kind of goofy with his circular glasses and baggy shirt. Despite his brother’s awkward form Eric gets excited so he let’s go of his mom’s hand and runs over the patches of grass and mud to get close and study the swing. A short second later and the aluminum bat smacks the little boy in the face. Blood rushes out from his nose. The mom screams then asks Eric to move his hands from his face to inspect the damage. To everyone’s horror, the nose had gone!

The sun is really bright today but I’m wearing my hat so it doesn’t bother me. My knees start to itch from earlier when I slid on the floor. I can’t scratch them though; they would hurt then and Mommy told me not to. Nathaniel is showing me how to bat today. He is on the baseball team. I can’t wait until I’m old enough to join a team and play baseball. How does he swing like that? He swings so fast and doesn’t miss the ball. I turn my hat backwards because I need to get serious. I’ll be safe if I stay behind him. Fireworks go off in my head. I can’t control myself. I can’t breath. I can’t see. Someone make it stop.

Each different perspective and layer of detail has its own benefits and flaws. In the long shot, the voice doesn’t sound very sympathetic or even interested in what’s happening, but somehow I think the detachment makes the scene a little more horrific. The middle shot seems like the easiest way to describe a scene; it’s just the natural perspective that people usually look at the world in. The close-up has the potential to make the action more visceral and heighten the sensory details but that sort of visceral detail is harder to translate into writing. I had a hard time thinking of a good way to describe when the bat hit me in the head since just saying it hit me didn’t seem to suffice, the word “hit” just didn’t feel real. Just like a movie, I think prose would do well to switch between perspectives often in order to take on whatever effect the author needs.

Eric Turner

 

 

“When I talk about pictures in my mind I am talking, quite specifically, about images that shimmer round the edges… You just lie low and let them develop” Joan Didion (13).

 

The tangential thoughts that lie on the brinks, the ones that are too hard to describe for want of words or the inability to confront them head on. What could one person relate to another so truly that it is communicated 100%? We are all private persons and sometimes we are private even to ourselves, holding back secret thoughts that linger moments before sleep. The image that we think of develops into a climax of emotion, a feeling of being there. Moments later that dies and the more we try to recreate it the fainter it gets like a Polaroid in reverse.

I’ve heard that the amount of times we remember an event in our lives distorts the truth of the memory. The first time you remember something, that’s when it is the purest. All things ring true: feelings, sights, thoughts. The things in life breathe and vibrate with a constant light. The image is moving, then still.

Ten years ago I was at a beach and the sand was grey and tan. It crumbled and morphed around my foot in damp clumps. There were some people with their kites tied to chairs while they read books and groups of children skipping and jumping at the edge of the surf. I was looking for seashells, hardened fans made from teeth. Toting a plastic Wal-Mart bag, I’d stop every four steps to crouch down and grab one or two, here a big one, there a shiny, black one. Every once in awhile I’d bump into somebody, an older couple in their black bathing suits and hats, who would look at me with a discerning gaze through their large sunglasses.

This scene is not accurate of a single moment or a single age. It is composed from the memories and half-memories, complete fabrications and abstract emotions.  How could I be more accurate…it is formed from a mood, directly at this moment of writing. I can’t remember what I was thinking back when I was 10. I’m only bringing these images to mind because I like them. They are not like reality, where there is always sound, always movement.

I think I’ve gone on a tangent and I haven’t even really talked about what Didion meant when she said that. The “images that shimmer round the edges”…if you took a picture of something and framed it, it’s not the subject of the picture that’s important and the physical frame isn’t really what surrounds it. Outside there are things that you ignore unless you really try to think about them. And when you finally do think of them, they start to shake with new life. When thinking about the edges of an image you might forget that, aside from a top and bottom, left and right of a photograph, there is also a front. You are always there staring at the picture; you are always a part of your experiences.

Eric Turner

 

Mt. Fuji, center of the world, was fixed
in view. The sun was high in the midday
and we walked along the East Sea Road.
(Do you remember that Autumn trip?)

I carried your luggage along the marsh, where
herons stood and stooped to pick amphibians
and lizards from the wet grass. Your friend
had taken her hat off, gingerly and sweet.

She only glanced as you turned to tell me
to hurry on. I’m sorry but my shoulders
were not like an ox’s and my eyes were
not like a monk’s. A breeze blew cherry

blossom and I remembered what happened
in Edo when you left to see the handmaids.

*A print of Hara-juku from Hiroshige’s series Fifty-Three Stations of the Tokaido

Eric Turner

 

In Winter many spheres do bring to me
a joy beyond sensation both of pain
and pleasure. Sunlight tickles fruit’s wide tree;
causing the rind to shine in man-made rain

and underneath that smooth and textured shell
whose color married rose and daisy, there
in spread a lattice gown perfumed in smell
that bids the hand to peel, divide with care

the bounded segments filled with sour honey.
the rounded prisms serve as complexes built
to house each solid, sweet tear; each sea
when magnified reveals still more to lilt,

for though my eyes cannot see this close,
I know there lies within, infinite cosmos.

Eric Turner

 

I leaned to pick an apple off the fruit rack
and peered at the unripened sphere
so trivial.
I wanted to prove them wrong.

I stand now in the supermarket
but on the Mercury waves I had stood titanic.
I wanted to prove them wrong,
but charm is only good for impressions.

Art cannot survive with so many hands groping.
The hands stained the images with saccharin
and bile, but what hand could mar the fruit?

I will continue to make these liquid images
but in duty, not passion

Eric Turner

 

They are blue and blue and white
though now they look all rusted.

The heels have holes
and the metal ringlets that held
the leather string in place
no longer serve that purpose.

I would put them on
the same way you did
shoving each foot in
not caring if the heels fell into place.

A flurry of movements,
jacket sleeves, zippers, keys
then exploding out the door
interstate to Florida or just getting milk.

The shoes you wore lie holy,
rotting in the closet.

-          Eric Turner

© 2012 Eric Turner Suffusion theme by Sayontan Sinha